Jennae Santos is an interdisciplinary artist building tactile mythos through lovesong, sound, and ceremony.
I live in Brooklyn, I was born and raised in the California Bay Area, and I trace my bloodlines across the Philippines archipelago. These varied coastlines— urban/queer, powerful/dramatic, vibrant/grounded compose the space from which my art practice spills forth.
I cast mythologies through music, sound, performance, social practice, installation, and video. These storied abstractions converge the ancient and the subconscious. My work is fed by Indigenous Filipino psychology and combat, plant medicine, foodways, and land-sea ecologies poeticized through the lens of queerness, decolonization, dreaming, and pleasure autonomy.
About
gushes is my art-prog project for which I compose, direct, play guitar, and sing. A tapestry of interlocking, polyrhythmic, ambient, and textural guitar loops form a foundation for lyrical songwriting and theatrical performance. The loops are set live, organically off-kilter, and never quantized. An ever-evolving roster of collaborators further energizes gushes’ compositions. The music is arranged for chamber prog ensemble, rock band, movement cycle, sound installation, and drone. Performances are often ceremonial and employ light, wind, mirrors, and plants.
Eternal Oyster is an earth body research-response container for eco-poetics, earth shapes, and animal architecture grounded in landback, and food & climate justice. Eternal Oyster is also one half of Tree+Oyster— my sensory installation partnership with Ana “Tree" Vásquez. Both named Oyster projects explore social practice as nonverbal play and co-creative ritual to cultivate communal intimacy.
Projects
Upcoming shows
April 2025
gushes @ Choy Commons Spring Opening
NYC
Portugal Tour 2025
gushes x Matt Evans
24 Jan - ZDB, Lisbon
30 Jan - Maus Hábitos, Porto
1 Feb - SQUARE Festival, Braga